“Research is not collecting material. It is deciding what deserves confidence.”
An interactive portrait of Alexandra Kitty
The Evidence of a Life
Not a résumé. Not a chronology. A working map of the questions, forms, and unfinished arguments that connect a life in journalism, television, books, teaching, and play.
Begin with a need
01 / ORIENTATION
What kind of investigator are you looking for?
Choose the problem that brought you here. The archive will foreground one path—but every path eventually crosses another.
No route selected. The whole archive remains visible.
02 / CONNECTIONS
The working board
Open a file. Follow its threads. Collect three pieces of evidence to generate your reading of AK.
0 / 3 PIECES COLLECTED
03 / SUBJECT
One life. Many forms. The same argument.
Alexandra Kitty is an author, investigative journalist, television researcher, educator, artist, and game developer. Her work keeps returning to a single pressure point: how do stories acquire authority—and what happens when the audience is invited to investigate instead of merely consume?
21published books
5+working forms
1persistent question
She moved from journalism to books, television, teaching, and game design, building a multidisciplinary body of work.
Archive protocol: click the redaction three times.
Her practice is held together by the refusal to let a confident story impersonate a proven one.
04 / FIELD NOTESNote A / Evidence Note B / Form Note C / Audience
Three rules found in the margins.
“A story is an argument disguised as an experience.”
“If people can test the claim, the work does more than persuade them. It gives them agency.”
Your reading of the evidence
What did you come here to find?
Collect three files from the board. The archive will assemble a provisional answer—because a final answer would be suspicious.
PROVISIONAL FINDING